Tamil e a história de passear: conto e teatro infantil

De Pedro Moreira Nt

Tema Trânsito
Conto infantil e teatro sobre trânsito.
Tamil e a história de passear conta as peripécias do personagem em suas idas e vindas no trânsito.
A mesma história multiplicada. A história tem a função paradidática como implemento a tudo o que se tem dito em geral, a respeito de trânsito. Essa condição incial converte a estrutura contextualizada como fomento à disciplina trânsito que se justapõe ou intercomunica-se com a atividade e atitude de professores e profissionais de trânsito junto àqueles que necessitam de aportes ilustrativos e situacionais de comportamento, referências e demais meios para melhor compreensão do fenômeno trânsito em suas vidas.

• Idioma: Português
• Editora: Pedro Moreira Nt
• Data de lançamento: 15 de ago. de 2017
• ISBN: 9781370479153

Pedro Moreira Nt

Who I amPedro Moreira NtI have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, I have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, and at both comes a song walking my mind, sweetness and lovely goodness. I am critical of that; I desire to create a mist of essay, but my preference for poem structure and sensibility do not long of art. So, I seek romanticizing concepts and developing a new sense of literature that happens in its movement. I leave it to the reader to do part of that; they create a truthful text and can do a good book. It is the interpretation, the way, a leap beyond what a word says, transforming our lives when they share.My first writings, chronic stories, participated in my soul. It was extremely critical and sarcastic about what I saw from reality.I am talking of a fifties age period behind. In a position about what I developed, my evolution was more toward apparent expressionism and realism with wave poetical intermain. I do not know, and I am a writer by chance by life.I wait to create something more dense and fragile so that a reader can discover more insight and make the story.I write all day. I threw out many texts, books, and theatre, left at home friends, gave up on other works, abandoned along the path, and presented in different ways when it was impossible.I have not had a time in which I did not have difficulties showing my art, or I was, for some reason, prohibited from showing, or people made oyster faces and bodies, seeing down shoes, putting me out because, beyond writing, I talk. And when I speak, I create conflict with conceptualistic people. I am intervenient into the academy and ideological corpus, into radicalism free. I am more definitive when I believe in what I say and highly flexible when people do not know what I am saying.My themes are variant, and many circumstances bring me a gift, a motive to write. I wrote in Portuguese two books that I like, "Lirio" - Lille, and "O Peixinho do Pantanal" - The Little Fish from Pantanal (Wetlands), and both meant creation, jump to beyond, overcome, transformation social and personal release.From that, I wrote other books seeking to show different meanings throughout of phantasy necessary, and it to parents and children a fantastic universe of possibilities for a personal construction, making life an adventure.I create a pedagogical process to write and design tangled images where it is possible to seek the theme of a short story. "Lippi and Semma Friendship" talks about that, and I wrote that short story through it. They led me to social problems, injuries, differences, the orthodoxy of community rules, cultural values, the barriers around democracy and its meaning, and the gratitude for a true friendship."Letter to the Moon" is a short love story, but love yourself, and send a letter to the Moon through a pebble launched for.Books about freedom, encountering people, loss, and gains, and becoming someone.Book for radicality of right in that it does not see your bottom."Bakery," for example, talks about that.I finished a short story made of challenges and adventures: "Memories of the Air." - from you start reading until the end, the thing is in action, in movement, an eternal fugue or secrets, and does not reveal its net. The reader will discover.

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Tamil e a história de passear

Conto e Teatro Infantil

Publicado por

Pedro Moreira Nt

Copyright, 2017 by

****

Produzido por Pedro Moreira Nt, através do smashwords

Copyright, 2017 por Pedro Moreira Nt.

*****

Produzido por Pedro Moreira Nt, através do smashwords

Copyright, 2017 por Pedro Moreira Nt

*****

Tema Trânsito

Conto infantil e teatro sobre trânsito. A mesma história multiplicada. A história tem a função paradidática como implemento a tudo o que se tem dito em geral, a respeito de trânsito. Essa condição incial converte a estrutura contextualizada como fomento à disciplina trânsito que se justapõe ou intercomunica-se com a atividade e atitude de professores e profissionais de trânsito junto àqueles que necessitam de aportes ilustrativos e situacionais de comportamento, referências e demais meios para melhor compreensão do fenômeno trânsito em suas vidas.

Tamil acredita que o carro é extensão da casa, que nada pode lhe censurar os modos errados, estranhos e descuidados de dirigir. Mas algo acontece e o faz diferente, melhor e consciente.

pmnt

Conto

Tamil e a história de passear

Era uma vez um carro que gostava muito de passear…

Carro não passeia.

Era uma vez Tamil, ele gostava muito de passear.

Passeios de carro.

Está bem, era um dia bonito e Tamil saiu para passear com o seu carrinho.