Construir casas e destruir calabouços

De Pedro Moreira Nt

Contos possuem disso. Os contos têm mistérios, geralmente têm perguntas sem respostas claras. Em geral, na história, há questões que são descobertas definitivas para o leitor. Em todas as transformações onde o significado de uma coisa passa por outra. Os olhos seguem rastros pessoais para cada um que o lê, e em cada um dos sentidos dados, surge interposições da percepção pessoal. A mudança da ordem das palavras exige dupla construção, uma de escolhas, outra de confirmações. As confirmações aumentam quanto mais se pode fazer escolhas. Faz-se a terceira condição para o risco da leitura, a própria leitura como remessa a uma prova de fogo. Pode ser feito como complementar, mas é perigoso, os laços não são feitos para esta função. Parece que sim, mas não são para isso. O entrelaçamento de significado está desconectado, ele precisa se encaixar em algo.
A experiência prática do carpinteiro pode ajudar, ou a visão dentro das teorias pode mostrar sinais importantes para continuar caminhando. Acho que terá, como aconteceu comigo, que reler para sair do plano ilusório para uma ilusão singular em que se forma um plano pessoal de significados e sentidos.
Como disse, casas são palavras.
Como sair do calabouço?

• Idioma: Português
• Editora: Pedro Moreira Nt
• Data de lançamento: 14 de ago. de 2020
• ISBN: 9781005975043

Pedro Moreira Nt

Who I amPedro Moreira NtI have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, I have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, and at both comes a song walking my mind, sweetness and lovely goodness. I am critical of that; I desire to create a mist of essay, but my preference for poem structure and sensibility do not long of art. So, I seek romanticizing concepts and developing a new sense of literature that happens in its movement. I leave it to the reader to do part of that; they create a truthful text and can do a good book. It is the interpretation, the way, a leap beyond what a word says, transforming our lives when they share.My first writings, chronic stories, participated in my soul. It was extremely critical and sarcastic about what I saw from reality.I am talking of a fifties age period behind. In a position about what I developed, my evolution was more toward apparent expressionism and realism with wave poetical intermain. I do not know, and I am a writer by chance by life.I wait to create something more dense and fragile so that a reader can discover more insight and make the story.I write all day. I threw out many texts, books, and theatre, left at home friends, gave up on other works, abandoned along the path, and presented in different ways when it was impossible.I have not had a time in which I did not have difficulties showing my art, or I was, for some reason, prohibited from showing, or people made oyster faces and bodies, seeing down shoes, putting me out because, beyond writing, I talk. And when I speak, I create conflict with conceptualistic people. I am intervenient into the academy and ideological corpus, into radicalism free. I am more definitive when I believe in what I say and highly flexible when people do not know what I am saying.My themes are variant, and many circumstances bring me a gift, a motive to write. I wrote in Portuguese two books that I like, "Lirio" - Lille, and "O Peixinho do Pantanal" - The Little Fish from Pantanal (Wetlands), and both meant creation, jump to beyond, overcome, transformation social and personal release.From that, I wrote other books seeking to show different meanings throughout of phantasy necessary, and it to parents and children a fantastic universe of possibilities for a personal construction, making life an adventure.I create a pedagogical process to write and design tangled images where it is possible to seek the theme of a short story. "Lippi and Semma Friendship" talks about that, and I wrote that short story through it. They led me to social problems, injuries, differences, the orthodoxy of community rules, cultural values, the barriers around democracy and its meaning, and the gratitude for a true friendship."Letter to the Moon" is a short love story, but love yourself, and send a letter to the Moon through a pebble launched for.Books about freedom, encountering people, loss, and gains, and becoming someone.Book for radicality of right in that it does not see your bottom."Bakery," for example, talks about that.I finished a short story made of challenges and adventures: "Memories of the Air." - from you start reading until the end, the thing is in action, in movement, an eternal fugue or secrets, and does not reveal its net. The reader will discover.

Pré-visualização do livro

Construir casas e destruir calabouços

Pedro Moreira Nt

A short history

Copyright, 2020

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Ce livre a été produit par Pedro Moreira Nt, 2020.

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This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to Smashwords.com or your favorite retailer and purchase your own copy. Thank you for respecting the hard work of this author.

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This book was produced by Pedro Moreira Nt, 2020.

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Uma palavra é uma casa, muitas casas chega a ser vila, mata o campo, uma cidade